Who is harvey fierstein dating
The stage show, which Fierstein wrote and which featured him as a drag queen, was a breakthrough piece because it proved that a gay–themed show could turn a profit on Broadway.
Recording appearances include: This Is Not Going To Be Pretty: Live at The Bottom Line, Plump Records, 1995.
OBIE Award, Village Voice, for Torch Song Trilogy, 1982; George Oppenheimer–Newsday Playwriting Award for Torch Song Trilogy, 1982; Fund for Human Dignity Award, 1983; Theatre World Award for outstanding new performer, Torch Song Trilogy, 1983; Drama Desk Award for outstanding new play for Torch Song Trilogy, 1983; Drama Desk Award for outstanding actor in a play for Torch Song Trilogy, 1983; Tony Award for best play for Torch Song Trilogy, 1983; Tony Award for best performance by a leading actor in a play for Torch Song Trilogy, 1983; Tony Award for best book of a musical for La Cage Aux Folles, 1984; L. Drama Critics Circle Award for La Cage Aux Folles, 1984; Dramatists Guild Award for La Cage Aux Folles, 1984; Cable ACE Award for best writing in a special drama for Tidy Endings, 1989; GLAAD Award for Visibility, 1994; Humanitas Prize for children's animation for Happily Ever After: Fairy Tales for Every Child for "The Sissy Duckling" episode, 2000; Tony Award for best performance by a leading actor in a musical for Hairspray, 2003; Drama Desk Award for outstanding actor in a musical, Hairspray, 2003; Drama League Award for distinguished performance for Hairspray, 2003.
As a 270–pound teenager, Fierstein specialized in impersonations of the brassy–voiced Broadway musical comedy star Ethel Merman.
He became a hit in some of New York's lesser–known clubs as he transformed himself into characters with names like Virginia Hamm, Kitty Litter, and Bertha Venation.
He enrolled at the Pratt Institute in Brooklyn, New York, earning a bachelor of fine arts degree in 1973.
Fierstein taught briefly, then returned to the theater and playwriting.
The play, which featured Fierstein as an asthmatic lesbian, made its debut at New York's La Mama Experimental Theater Club in 1971.
Soon, Fierstein was writing his own plays, inspired by other La Mama actors who wrote plays for Fierstein to perform.
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